The Interactive Guide can be purchased through our on-line store and can be 
downloaded immediately on purchase for the Macintosh Platform,
available as a Hypercard stack or Stand Alone application. 
The Windows version is in development as well as an HTML Multi-Platform version.

Download the Mac Hypercard Demo
Download the Mac Stand-Alone Demo

The interactive guide includes the following scales
 and a chord - scale chart!

The Ascending Melodic Minor Scale AKA  The Jazz Minor Scale  The Lydian Mode  Third Mode of the Harmonic Minor Scale  The Mixolydian Mode  Sixth Mode of the Harmonic Minor Scale  The Harmonic Minor Scale  The Dorian Mode  The Lydian - Augmented Mode  The Lydian - Dominant or Lydian b7 Mode  The Mixolydian, b6 Mode

The Dorian b2 Mode AKA The Phrygian #6  Fifth Mode of the Harmonic Minor Scale AKA The Spanish Phrygian Mode  Fourth Mode of the Harmonic Minor Scale  The Aeolian Mode AKA Pure or Natural Minor  Second Mode of the Harmonic Minor Scale  The Phrygian Mode  The Locrian #2 Mode  The Locrian Mode  The Super Locrian Mode  Seventh Mode of the Harmonic Minor Scale

The Major Pentatonic Scale  The Minor Pentatonic Scale  Whole Tone Scale  Augmented Scale  The Blues Scale  The Diminished Scales   The Bebop Major Scale  The Bebop Minor Scale  The Bebop Dominant Scale  The Chromatic Scale

The Ionian Mode or Major Scale is an appropriate choice over any of the unaltered Major Family Chords such as the Major Triad, Major 6, Major 7th etc.

The Ionian Mode or Major Scale is the simplest way to handle a ii - V - I progression since you can play the Major Scale of the I chord (CMaj7) over all three chords: Dmin7, G7, CMaj7. The only note you should be conscious of when using this scale is the fourth scale degree (F). Since this note (F) will sound dissonant against a CMaj7 chord, it should be resolved to the third (E).